The Helpful Dead - the real people behind the story
02/12/12 08:37 Filed in: Film
The first draft of the script for the Helpful Dead included skeletons of long dead seamen coming back to life to save an Olympic yachtsmen but it was only in the latter stage of script development with mentor Peter Snelling that he asked the key question: “Why would they ?”. Why let generations of sailors die and then choose to save one in particular ? There had to be a link with the past.
While the children were researching shipwrecks off the Chesil, year leader Miss Lynch produced some old leather bound volumes that had been in school for decades - the head teachers logbook. The book, written in pen and ink script, is the diary by successive head teachers from 1863 - an extraordinary first hand account of all major events affecting school life. Some days there were no children in school because they were out in the fields bringing in the harvest - on others they were on the Chesil, scavenging off wrecked ships.
“It being my birthday, I have decided to close the school for a holiday,” he declares one day.
Then in November 1872 he writes “Monday in this week, a very wet day - in the evening an emigrant ship was wrecked on the beach. School open but no roll call as so few were present.” The Royal Adelaide, carrying families to a new life in Australia had foundered on Chesil beach. Most passengers were saved but six, including a young girl drowned.
In The Helpful Dead a Victorian mother sees her boy drown as a ship sinks off the Chesil - and we cut to 2012 to find a Olympic sailor in trouble who looks the image of the Victorian mother. The long-dead boy looks up from his watery grave and thinks she is his mother. He summons the Helpful Dead back to life with the words - “It happened to us, don’t let it happen to them”.
So with script complete, what should our women look like ?
We studied Ford Maddox Brown’s famous painting Last of England in the Fitzwilliam Museum in Cambridge and Birmingham Museum and Art Gallery. A young family are leaving England for a new life on an 1860’s emigrant ship. The mother, holding the hand of a baby under her cloak is strikingly beautiful. The model for the picture was the artist’s wife Emma and our Year Five artists were able to use Maddox Brown’s sketches of her as their inspiration for both Joseph’s mother and our Olympic sailor Serena.